In the course of the last decade I have on and off worked on publications with writing by artist/jeweller Leonor Hipólito, designed by Arne Kaiser. I knew Arne through publications I’d worked on with curator Jürgen Bock, so via this string of connections I was invited to work on Leonor’s texts. The first one, überstein, published in 2009, was followed by Beyond Emotions (2012), 22 Reflections on the Dissolution of the Self (2015), Looking at Us (2017) and the next one, titled Writing Pad, is about to be published in January 2019, making it five in total. Where the first few showed the writing alongside single examples of material work, in the more recent ones they are interspersed with photographic imagery and installation shots.
Similar to her material work, which I see as a poetic spatial practice, Leonor’s writing is a kind of spatial poetics, with a strong philosophical undercurrent. Each publication takes shape at its own pace, with the writing evolving alongside Leonor’s material practice, following by often months of slow tinkering and toing and froing between us over choice of words, sentence orders, commas, semi-colons, etc. It is a delicate and collaborative process, but one that is suffused with strong decisions, and clear thinking. Working on Leonor’s texts offers an interesting change of scenery from the often long, much more academically inclined texts I tend to work on and with, although they may engage with similar topics.