Curating After the Global

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Following on from How Institutions Think (2017), and The Curatorial Conundrum, What to Study? What to Research? What to Practice? (2016), I will shortly start work on Curating after the Global. Following a conference at the Luma Foundation in Arles in September 2017, the book aims to address curating with respect to questions of locality, geopolitical change, the reassertion of nation states, and violent diminishing of citizen and denizen rights across the globe.

It has become commonplace to talk of a globalised artworld, with specific circulations of discourses, commodities, and individuals, and even to speak of contemporary art as a driver of globalisation. This universalisation of what art is, or can be, is often presumed to be claimed at the cost of local traditions and any sense of locality and embeddedness. But what exactly does it mean to be global, or to be local in the context of artistic, curatorial, and theoretical knowledge and practice?

The book will approach these questions in four sections, which include diagnoses of current conjuctures, exhibition histories, institutional repositioning and roadmaps for the future. The editors are Paul O’Neill, Simon Sheikh, Lucy Steeds and Mick Wilson. Among the contributors are: Antariksa, Marwa Arsanios, Athena Athanasiou, María Berríos, Qalander Bux Memon,Ntone Edjabe, Liam Gillick, Alison Greene, Prem Krishnamurthy & Emily Smith, franck leibovici, Nkule Mabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prasad, Kristin Ross, Rasha Salti, Sumesh Sharma, Joshua Simon, Hajnalka Somogyi and Françoise Vergès. The book will be designed by Julia and is due out in November, published by The MIT Press.

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