How Institutions Think

cover-draftFollowing the conference titled ‘How Institutions Think’, which took place in Arles in 2016, and which was organised by CCS Bard, Central St. Martins, Valand Academy (University of Gothenburg) and the Luma Foundation, work has commenced on the book. I will be working on it as managing editor, alongside editors Paul O’Neill, Lucy Steeds and Mick Wilson.

The publication How Institutions Think: Between Contemporary Art and Curatorial Discourse brings together an international and multi-disciplinary group of writers who will reflect upon how institutional practices inform art, curatorial, educational and research practices as much as they shape the world around us. It also aims to propose new and emergent forms of institutional practice. Implementing a work-together methodology, combining and sharing networks and knowledge resources, the publication asks how we may begin to conceptualise and build possible institutions/anti-institutions of the future: What are the models, resources, skills and knowledge bases required to build new and progressive institutions now and in the future, if that is indeed possible?

Contributors include Nataša Petrešin-Bachelez, Dave Beech, Mélanie Bouteloup, Nikita Yingqian Cai, Binna Choi and Annette Kraus, Pip Day, Clémentine Deliss, Keller Easterling and Andrea Phillips, Bassam El Baroni, Charles Esche, Patricia Falguières, Patrick D. Flores, Marina Gržinić, Stefano Harney, Alhena Katsof, Emily Pethick, Sarah Pierce, Zahia Rahmani, Moses Serubiri, Simon Sheikh and Mick Wilson.

How Institutions Think is the second in a series of three publications and builds on the success of The Curatorial Conundrum: What to Study? What to Research? What to Practice? (Cambridge, MA: The MIT Press, 2016).It is due in September 2017.

Public Enquiries

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I am currently proofing texts for a book entitled Public Enquiries, which follows a symposium that took place in 2016. Public Enquiries is a research project that has its starting point in the artistic practice of Kerstin Bergendal, with a particular focus on her project PARK LEK. More information about the different phases of the project can be found here.

The symposium at Valand Academy in Gothenburg was the third in a series (the previous ones were held at Marabouparken Konsthall in Stockholm and Somewhere in Copenhagen), and  considered how long-term, temporary artistic projects can influence discussions about sustainability, city and cultural planning, how situated artistic practices can work as forms of enquiry, and why such artistic practices are highly relevant today. Videos of the conference talks can be found here.

Contributors to the book include, among the artist herself, Aleksandra Ålund and René Rosales, Christian Bjork, Mary Jane Jacob, James Holston, Andrea Phillips, and Anna Pilebro Bryngelsson and Robert Chako.

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